Modern mag for old school training

 Well, this was supposed to be my last article for 2022, but it wasn't meant to be. So, instead of ending the last year with a bang - here's to a happy and prosperous 2023!

Back in the 1990's, prior to Internet and Youtube, the only way to find out about new and interesting martial stuff out there was reading about it in magazines such as Black Belt. Otherwise, you would have to order a tape (yeah, VHS) from an author you had seen in an ad in those magazines. And those weren't cheap! At one point, the Black Belt actually came up with the idea of putting out a video magazine, and it looked exciting in their ads, but...at the time I just couldn't find the way of ordering to where I lived, and never got too see them to this day.

Fast forward a decade or so, and a gentleman named Pete Kautz, the founder of the Alliance Martial Arts decided to do a similar thing, but in a DVD format, featuring himself and James Keating as regular contributors in each issue, along with a guest or two being featured as well. Each issue focused on a single topic, and although titled Modern Knives, it wasn't dedicated solely to the edged weapons. Since I had already been a fan of their work, and been interested in what they had to show, as well as discovering new exponents, I ordered the first eight issues (i.e. all they had at that point) some 15 years ago. And guess what? I keep re-wathcing those somewhat frequently to this day. So, let's lee what they're all about!

First, a few words about the format and production. Typically, the DVD's are organized into chapters, where Keating usually takes the lead, followed by the featured guest, and then Kautz closing the instructional part. A first few issues also had a review of some instructional video's available, too - and, as you may imagine, I loved those. As the matter of fact, I ended up buying Blaise Loong's Sabungin Silat series after seeing the review in Modern Knives! Naturally, the reviews strived to cover the material that fits the topic of that issue. The video production is quite good, even if not always done with fully professional equipment, but both image and sound are clear, so the content is clear and easy to follow. Again, the videos have navigable menus with chapters, thus causing no inconvenience for the viewer. 

Oh, the only aspect that gives out the "homemade" nature of the entire publishing operation is how the DVD jackets are done. Still, it didn't bother me the least - the cover image is indicative of the theme, and the back cover gives the content outline, which even many professionally produced and published videos before and since then failed to do.

front...

...and back

The issue #1 is about the the Spanish Fighting Arts. Keating opens up with with some instruction about the often misunderstood and/or neglected topic of how to use the so-called Spanish notch on some of the bigger fighting knives out there (including his own design - Crossada). He also touches upon the utilization of the knife's guard for the trapping purposes in the clinch phase of a knife fight/duel. Obviously, this material is mostly applicable with big blades, but those are rather interesting insights.

The guest author in the 1st issue is James Loriega, best known for his promotion of the knife fighting methods using traditional navaja folding knives of Spain. To me, this was the most interesting feature, because it is (still) one of the very few possibilities of actually seeing Loriega's material in action. Namely, despite having a few books on the subject published, they are not very clear with regards of how the techniques are executed (maybe even deliberately?), so if you have any interest in this domain - this DVD should be on your list of priorities.

Kautz goes into what is possibly the most evidently Spanish influence in FMA, i.e. the espada y daga approach to using a long and short blade simultaneously in combat. He presents the material along the lines of the so-called cinco teros (5 strikes) method of instruction, and offers what is probably one of the best available introductory lessons on this manner of armed fighting. 

The video review in this issue is about the La Verdadera Destreza school of fencing, as presented by maestro Ramon Martinez. 

The issue #2 deals with another geographical region - South East Asian Fighting Arts. Keating shows a very interesting method of using the kerambit knife, based on his Hellbows material. What I really liked about this is the conceptual nature of instruction, that integrates the defensive and offensive applications of the moves, doable without the weapon, too. 

The legendary Kelly Worden is a featured guest instructor in what is actually a segment of his seminar on the FMA knife. A portion of his material is shown with Worden's patented Travel Wrench tool, and I liked it for the crossover applicability with other small palmstick-type tools and improvised weapons of similar characteristics.

Kautz teaches the triangle thrusting drill of the FMA and its variations, adaptations and applications. Again, in accord with his conceptual overall approach, he goes beyond the most obvious purpose of the drill and shows us how to see deeper into the work. These insights are meant to teach you how to get more mileage from any other type of drill and training method you may be using.

The review is focused on the above mentioned Sabungin Silat DVD series. 

The issue #3 is closes to the title of whole series - Modern Knife Concepts. In it, Keating goes into the specifics of use with his signature Chinook folding knife made by Spyderco. It is always interesting to see and hear what a knife designer had in mind when coming up with his or her personal model, and this is no exception. Probably my favorite part was the use of a small, folding knife for back cut technique typically associated with much bigger weapons. 

As the guest instructor, ninjutsu instructor Dale Seago does a rather interesting feature about the defense from an unexpected knife attack. I particularly appreciated how he connected cultural and philosophical layers of his art with the tactical and technical applications. That said, the very idea of training/drilling something unexpected is somewhat paradoxical, but there is still quite a bit of value to be gained from this chapter. 

Finally, Kautz offers an excellent segment on the extensions and variations of the Comtech Drawpoint method of the knife used in the reverse grip manner. Now, this portion of the material is very useful when taken on its own, but even more so if you have also seen and worked on Keating's original material. It is also a brilliant example of how practitioners can take what they had learned and then put their own flavor to it, and how do do it right!

This is NOT a clip from the described DVD, but gives a fairly good taste of how Kautz does his material there.

The issue #4 is about the Western Martial Arts. This time, instead of being geographically specific, the focus is more on the historical research of the combat methods of Europe and America. Interestingly enough, Keating features a niche kind of material here - single action revolver twirling. Now, if you are not into firearms this may not be of interest at all, and if you are, you may wonder about the practical value of the stuff shown. The way I see it, attempting this material is aimed to achieve developmental effects, i.e. working on your attributes, and particularly the frequently missed benefits to honing one's neural connections and coordination. 

Featured guest Bob Charon gives a presentation of the dagger fighting methods from the late medieval manual of Fiore Dei Liberi, i.e. Flos Duellatorum from 1410. It gives us insight into some of the time tested and confirmed principles of combat, regardless of the place they were used in. Also, should you be among the folks who believe the whole HEMA things is just a bunch of guys and gals involved into some sort of glorified costume-wearing reenactment play, it may open your eyes to practical benefits of studying this kind of material. 

In the footsteps of the previous chapter, Kautz shows more dagger from another medieval master - this time a German one, Andre Lignitzer. Again, this is not so much about historical accuracy, but more looking toward how it can still be researched to find the worthwhile aspects for our day and age. 

The issue #5 stays with the previous theme to a degree, and gives the viewer an incredible amount of information, since it deals with the American Bowie Knife. Now, Keating has long been recognized as one of the leading authorities in this domain, and once more he goes one step further than most other instructors. Namely, the bowie is most often perceived as a dueling implement nowadays, but back in the day it was probably seen more as a great backup weapon/tool, which is where Keating's treatment of the knife in tandem with a revolver is a unique value. Weapon deployment, retention and transition are the name of the game here, and the implications to footwork, distance and angling are as important as any other element. So, don't skip this part!

The late distinguished author Dwight McLemore focuses on one of the bowie knife signature moves - the snap cut - but specifically how do defend against this deceptive and destructive tactic. Like the previous chapter, this is they kind of instruction that is hard to find elsewhere, thus making the DVD that more valuable. 

As if the above was not enough, Kautz demonstrates the application of historical sabre fencing techniques with the bowie knife, hence elucidating on some of the highly probably sources of this knife material in the first place. On top of it, we see done the techniques used against the bayonet attacks, which is, again, how the bowie was probably often used in its original environment. 

But, there is even more! To give you even more insights into the phenomenon of this legendary blade, we are given a glimpse into the forging of a true fighting bowie under the hands of the legendary master blade maker Bill Bagwell, as well as the suggestions for the every day carry options from the sheath maker Mike Sastre. All in all, one heck of a great and informative DVD!

The issue #6 takes a step away from the blades and is concerned instead with Filipino Stick Fighting methods, and here we have a 2 DVD set. Keating leads the way with a series of options of using the stick as a tool for LEOs, i.e. teaching the locks and releases to control the opponent, where simply using the baton as an impact weapon may not be appropriate. 

Dr. Remy Presas, the son of the legendary master Remy A. Presas of the Modern Arnis fame, is shown in a fragment of a seminar, teaching the counter for counter methods and tactics of his art. I liked that the editor (Pete Kautz) chose the material that really fits well with Keating's, and the viewer should probably try investigating how they could be combined. If this is your field of interest, you should be able to spend a long time in discovering modes and options of use with these. 

Another guest instructor is Ken Smith, and his chapter is maybe my favorite here. Namely, he goes into Sibat, the long staff material, and for some reason I have always felt some primordial pleasure when handling this tool. Smith demonstrates a two-ended staff approach in his segment, showing how some well known FMA drills and exercises, normally done with a regular stick, can be adapted to and used with sibat. 

Finally, Kautz delivers another phenomenal instructional package with his explanation of how to functionalize siniwali (double stick) material. Like before, he teaches us how to see "behind the curtain" of simple movements and movement patters, and into the driving engine behind them. And this not another set of interpretations of the meaning/applications of the already familiar mover, like with so many other FMA instructors. No, Kautz deconstructs the mechanics of strokes, their lines, trajectories and sectors, and then shows you how to come up with your own patterns and applications. In other words, he does not give you a vocabulary of words, but the actual grammar that makes one fluent in "speaking" siniwali. Highly recommended! 

The issue #7 is another "deviation" from the topic of knives, but this time it is about the Grappling Arts. OK, with Keating's segment it does not entirely stray from knives, because this segment, taken from his legendary training camp Riddle of Steel held in 1992, shows how to integrate grappling with the blade work. As in some of the previous issues, he shows that there is a wide scope of possible strategies and possibilities to be researches, if you are a "lifer" with a serious and deep commitment to martial training. 

Dr. Les Moore was one of those unexpected gems that I hoped to find in this type of publication, as mentioned at the beginning of the article. He shows a number of exercises and drills, some of which I have never seen elsewhere, primarily coming from the catch-as-cath-can wrestling of yesteryear. There are some preparatory/conditioning exercises and then several grappling techniques and tactics taught that make this issue well worthy of your time and money.

Guess what? We have another "double trouble" issue with two guest instructors here, with Mark Hatmaker as the second one. His topic is one very dear to my heart - dealing with grounded aspect of a fight, which means when you are down and your opponent still standing. I am always curious about various asymmetrical scenarios of combat, and Hatmaker's  feature is excellent in this regard. He shows several solid approaches and responses to the challenges faced in this situation, and if your interest in grappling goes beyond the sport arena and with an eye toward the street-savvy solutions, this is a great place to learn something valuable. 

In his manner, Kautz shows us grappling options and applications of hubud-lubad, one of the bread and butter drills of FMA. He focuses on what is called lock-flow sequences, which is an interesting way to see how on the higher levels of combat the finality of some techniques may be a relative thing, depending on your training and preparation. From the standpoint of MMA and BJJ this will probably look unrealistic, but like before - it should be looked at from the developmental angle... Plus, adding a weapon to the equation may change your view about the practicality of the exercises. 

The issue #8 is one of my favorites, even though I really love the entire series. Probably because its subject is the one of Combative Drills & Skills. In my personal opinion, adequate drills are too often a missing phase between simple technique acquisition and sparring. In this DVD we are shown a few approaches to drills and exercises that should help in bridging this gap. Keating works on one of my pet topics - solo drills. In this chapter the developmental benefits mentioned earlier are really in the forefront. He demonstrates several drills done with a rope, unlike anything else I have seen. Now, for the best results, Keating's stuff requires you to put your thinking hat on and dig deep, in order to reap the fruits. Maybe, this clip will help you understand his approach a bit.

The guest instructor Ed Lawson teaches a couple of of muti-purpose and multi-layers drills from his Combat Escrima curriculum, inspired by the Pekiti Tirsia Kali, from what I was able to see. His presentation is really good, and if you are into FMA, you will probably like this portion of the DVD. 

Kautz shows a simplified path of learning the use of stick in fighting, via his Figure-8 Method. True to his conceptual approach, Kautz applies a progression of drills to demonstrate his material, and to me an even greater value lies in trying to utilize his method of teaching to other stuff you may be working on in our training. Still, even if you just stay on what he shows, you will be satisfied for having acquired a functional fighting skillset that is fairly easy to maintain. 

Now, since my buying this series of DVDs (and Mr. Kautz was so great that he threw in a set of Sharkee training knives that I still use regularly) there have been another three issues published (9 to 11), but for some reason I have never got them (that happens when family and children get into picture, lol). Although, obviously, I haven't seen those and cannot comment on the actual content, from the experience with the first eight issues, I feel comfortable recommending those as well. 

In the end, there is one more element of Kautz's work on this video magazine that shows what a class act he is. Namely, instead of using some random/generic royalty-free music for the opening and closing credits, he actually goes with music from the demo bands that he likes, and then gives them full credit and some exposure by including footage of their performances. 

Thank you sir Jim Keating and sir Pete Kautz for doing this awesome body of work!

Stylish issues

 I had a brief but still interesting chat the other day, with a person who isn't really a practitioner, but kind of sidelines fan of martial arts. Fortunately, although the talk was about the value of various martial systems and styles, the said person was above the petty fandom idolization of any particular exponents or their styles, so the discussion was not a bother. The main insight for me came from their observation that in the end Bruce Lee was right that "it is not about the styles, but about fighters", because we have seen representatives (declarative) of several different disciplines having had success in MMA. 

After that, my collocutor was left with a question of why then we still have so many systems and schools? Now, if you have been my follower for a while, you may remember that there are some recommended resources that will answer this question much better than I could within the confines of a blog post. Still, there are, in my view two main components to this - one, historical and social circumstances as they relate to the origin; two, personal motive for being involved with the practice. 

Now, of course, the great Bruce Lee repeatedly emphasized that his practice was all about truth in combat, hence the approach to training, readiness to experiment etc. Naturally, it sounds perfectly sensible, and with the expansion of MMA, it also seems quite evident. This also why some exponents are able to be successful in the situations of being pressure-tested outside the typical framework of their chosen methodologies. That said ,however, it is more often the case of exception, rather than the rule. So, what makes people get emotionally invested in fiery debates about the virtues or shortcomings of their schools of thought, when it comes to fighting?

My experience in dealing with many of those over decades, especially if they have never tried stepping outside the aforementioned stylistic boundaries, is that even if they resort to quoting Lee, it is with a different agenda. Namely, they simply are not in quest for the truth in combat. And, like I've stated so many times, it is OK...as long as they are honest with themselves about it. 

Different folks are into it for different reasons, but quite often they are unaware of choosing to pursue the illusion and live in fantasy, at least from the standpoint of sheer combative effectiveness. In the realm of training for weaponry use it is probably even more characteristic than in the empty-handed systems (although, just the matter of degree). Essentially, it tends to slip into the domain of LARPing, without being called that.

Now, I am absolutely not against LARP and Cosplay. Heck, it gets people outside and moving, while enjoying it. Plus, they are utterly straightforward about living their fantasy. But when a person who does some kind of "traditional" stuff, whether ninjutsy, aikido, kung fu, FMA, RMA, or capoeira, two hours a week on a recreational basis, goes on a rant about just how deadly and lethal it is...ugh, I'd rather not delve into that. Interestingly though, they tend to be offended when compared to LARPers. Go figure...

Lucky draw

 As some of you may know I have been running a sort of intermittent series on the methods of knife use in self defense, according to the approach of reverse grip with edge-in configuration, aka RGEI. Since that first article that dealt with the WHYs of the whole thing, there have been a couple more about the HOWs. Obviously, I liked those quite a bit, but this time the focus is on the gentleman and his video that first got me aware of this characteristic mode of utilizing the tool at hand for the purposes of managing physical conflict.

The gentleman is the one and only James A. Keating, the founder and director of Comtech. To say that Mr. Keating is a progressive-minded practitioner of martial disciplines and combative methods would be a huge understatement, at the very least. I have been following his work for almost 25 years now (whoa, it even took me by surprise!), and his body of knowledge put to public never fails to be incredibly inspiring. I can't even begin to grasp his influence on the people who have had the opportunity to work with him in person. The sort of forward thinking in the relentless pursuit of ever broadening and deepening understanding of one's chosen field of study is always admirable, particularly when done in a such a comprehensive and non judgmental manner, as is the case here. 

It is no wonder then that he was the first (to my knowledge, anyway) to propagate the RGEI style of knife combat and present it in an excellent video instructional. The testimony to his being ahead of times is that it first came out on VHS! Now, this volume was/is available in two versions actually. My first exposure was via the tape distributed by the now defunct Paladin Press (ugh, I will never get over it), titled transparently as Reverse Grip Knife Fighting.

 

At issue is the same material as originally published by Keating himself, just with an additional intro that talks about the type of knives best suited for the method of work as taught in the video, and their availability. The instructional portion, however, is the same as in the case of Comtech production, titled Drawpoint, which is the moniker I normally use when referring to this system. 

The first thing that struck me here was the author's emphasis on the method of carry and deployment of the knife. It is safe to say that prior to that I had seen knife fighting as most other people do - a situation that somehow magically got to the point of facing an opponent with the blade already in and in a fighting stance, with no sense whatsoever about what had preceded it. And Keating does a great job explaining all the pertinent factors about this topic, while pointing out that in the close quarters combat, which is where the RGEI is primarily meant to be applied, the speed of reacting and drawing the weapon plays the main role. 

In line with the subtitle of the Drawpoint video, i.e. Knife Fighting Fundamentals, from the deployment we go to learning two basic strikes/offensive techniques (yes, just TWO), but they are worked in such a way that you will thorough understand the mechanics of delivery, footwork to make them doable, applications to make the functional across various situations...in other words, the honest work on integrating the tool and usage method, and fostering actual skill. 

But, it doesn't stop there! Remember how I mentioned the emphasis on deployment? Well, Keating goes into some innovative drills that should really hone both the speed, timing, perception and accuracy in drawing the blade and putting it to proper use in a self-protection scenario. And this is probably where the material truly shines, because although several other instructors have formulated their own take on the methods of RGEI use, none have gone anywhere near Keating's approach in terms of developing those attributes. 

As you have probably noted from the above picture, the Drawpoint system is presented in a set of three videos, but the second and third are concerned with the reverse grip EDGE-OUT configuration. For that reason, I decided not to review them here. That said, the first volume is really a standalone instructional package, and as such is sufficient in providing the necessary information that will take you a long way in search for the solutions to the problems commonly faced in the real world (think high percentage here), whether it is opposing humans or aggressive animals in similar predicaments. 

In conclusion, if you have somehow managed to let James Keating fly under your radar, this is a great way to get introduced to his (astonishing) body of work; if you know the man for his other stuff, this is an excellent to see him at his most straightforward combative mode.

Being legit

It is interesting that in this day and age there are still so many folks training in combative programs, or even worse - teaching them, who are still so narrow-sighted in view (hehe, put not intended, but I like it) of all the facets of self protection. Pretty much, most of my post here are also aimed at the physical performance aspect of the phenomenon, but even from the early days/years I talked about the neglected-yet-crucial dimensions that will rule the phases during and after the conflict event. On top of that, there has been mention of several other resources that dedicate a lot of attention to those topics, and with much more thorough approach. And still, it is stunning to all those who go at it with a gung-ho attitude, and later meet the consequences to the chagrin of their close ones or those like-minded.  

Well, at this point I'd like to point your attention to an excellent book that paints the picture in very vivid colors, with great attention to relevant legal aspects of one's actions during physical conflict, but without the legalese blizzard that will obscure the point. Marc MacYoung is a long time stalwart of the realistic approach to self-defense and was among the first to champion the cause of taking a holistic view of the problem. He joined forces with Jenna Meek to put together a brilliant book, aptly titled What You Don't Know Can Kill You.

The goal of the book is helping the interested parties avoiding ruin in the case of physical confrontation that involves use of force, whether it means ending up dead or alive but locked up. Now, I don't know if in some parts of the currently "civilized" (read, institution-governed) world the adage of "better to be tried by twelve than carried by six" was a solid rule of thumb sooner than more than 50 years ago, but nowadays it is certainly severely shallow, at best. 

The authors use a series of chapters filled with very plausible scenarios and real life cases to portray the various sides of the phenomenon at hand. They cover the gamut of potential issues that may/will arise out of the use of force in defense of self, thus shedding light on many corners of our training and preparation that have previously been either unclear or entirely unseen. 

That said, they are very honest in their treatment and do not offer ready made solutions to what are often complex, multi-layered problems. Although at first sight it may seem that getting involved into analysis of this sort may lead to lack of decisiveness, therefore slowing down reaction and undermining one's confidence, this needs not be the case. Namely, throughout the book the authors point out to how training and preparation may be updated, modified or adapted in order to develop better procedures, and consequently act with more confidence if the need presents itself. 

Yes, it will require that readers/trainees take an honest look at what they have been doing so far, apply the newly acquired criteria when evaluating what they see, then invest effort in improving their training further on, but ultimately - they (and their clients) will be glad they did. 

Tech support

 Very recently I've had the privilege of taking part in an FMA Discussion podcast with a group of fellow Astig Lameco practitioners, including the method founder Roger Agbulos. We had such a great time and so much fun that time flew, but the discussion touched on several topics that might be of interest, if you have time to take a look and have a listen. 

Be as it may, quite lot of time was spent in effort to shed light on certain more or less specific aspects of technique, meaning how it is trained for combative effect. While there are numerous elements that comprise a well performed technique, it seems that to a lot of people it still boils down to a set of biomechanical building blocks that, if sequenced properly, should yield desired result. Since another prominent subject in the conversation was solo training, several listeners believed it focused on the said approach to technique. 

After all, isn't that exactly what it is meant when experts of all sorts offer opinions and advice on the proper and improper way of doing pretty much anything?

Well, not exactly. Naturally, if one's approach and interest in doing martial arts lies in some sort of aesthetic, artistic, meditative exercise and/or performance (kata, choreographed demos etc.), then the above mentioned view is pretty good. 

However, if you are in the category of practitioners who look for the functional use of technical arsenal in the circumstances of working against a non-complient partner/opponent (whether in competition, sparring of a real fight), thing tend to require attention toward several other dimensions. Yes, the mechanics of delivery are still important - including speed, power, strengths etc. - but there additional elements of the equation, such as timing, distance management, efficiency, intent and so on. And then, there is the avenue of tactics, strategy and other avenues of taking the other person into account. I have particular affinity toward the definition of technique as used by the authors of a book reviewed here: 

…both an accurate movement pattern as well as successful application in an Unscripted Training or Play Learning environment. Correct Execution does not mean a person can simply successfully mimic what a movement pattern looks like, it means that they can use the movement pattern effectively and also achieve its intended outcome…

See, it is the intended outcome that happens to be the key phrase here. That is why I said, during the discussion, that Astig works through the outcome based methodology, using the reverse engineering approach in identifying what makes a good technique, necessary physical attributes, and adequate training methods to develop all those. And this is why the impact of good instruction and feedback is especially important, even if you are working on your own. 

So...do your best to find it. 

True aim of AMOK!

 If you have been around this blog for any length of time, you have probably noticed that most reviews of educational materials have related to the books and instructional DVD/video formats. Today, however, I’d like to step into the 21^st century and point to an excellent online source of brilliant combative instruction.

For the readers who share my affinity for the functional skill and sound training methodology, over the flashy maneuvers and technique-collecting approach, the work of Tom Sotis ought to be among the go-to references. Simply put, he spent 30+ years of dedicated training with unwavering focus on providing to his trainees/clients the best and most reliable information and skill to be developed. That said, the more I learn about the man and his work, the more I am impressed with his sheer honesty about the process of training and utmost disregard for the whole noise of peripheral phenomena of martial arts, such as ranking, titles, power over organizations and people etc. As the matter of fact, that is probably exactly what enabled him to put so much effort and thought into the development of his excellent methods.

The results are formulated under the banner of AMOK! And available to the interested parties on Tom’s website Amok! Global. For what is possibly the most affordable fee anywhere, you get access to the main body of the knowledge that Sotis has distilled into two categories:

-          Core skills;

-          Methodology.

That way, not only do you learn what the people that he has taught in more than 30 countries over the course of more than 30 years have learned (what he teaches), but also how did they develop it into a working set of skills (how he teaches). In approaching training from these angles, an encompassing and thorough understanding is obtained with regards to the technical performance and tactical decision making, but also the proper focus on all the right components that will accelerate your progress on the functional path. Attacks, counters, grabs, disarms; training, practicing, sparring methods and configurations…it’s all there!

Although the core skills and methodology are conceived in a manner that integrates the instruction of all necessary elements of combative capability, for those who want to go into more detail and depth regarding some of those elements, there are specific focus courses available on the topics of Footwork, Handling, Faking, Striking, Countering and so on.

The common feature of all his instruction is the presentation in the bite-sized video clips, shown in appropriate order. Sotis uses whiteboard presentations where applicable, speaks clearly and informatively, without fluff and unnecessary ornamentation. Some of the clips are actually under two minutes of length, and I find it great for a couple of reasons. One, it forces the instructor to be as clear and efficient as possible in conveying his message; two, it makes it easier for the viewers to rewind and dial in the exact part they need to see/hear; three, it keeps tracking of the material you have covered much simpler; four, finding the exact topic you want is effortless.

It bears saying that in AMOK! they use knife as the central tool of instruction, for the reasons very well explained and argued for in the course, but the material is easily adapted to (m)any other tools you may use, or to the empty-handed application as well.

Ultimately, even if you have no interest of becoming and adept of AMOK! or even adopting the methodology into your training, it will still offer an excellent lens for filtering your own training approaches, thus helping you stay on the right path, as long as the desired destination is truth in combat. 

 

TV time to timing

 Have you ever spent some time in front of TV or Youtube and later reprimanded yourself for not having spent that time training? Yeah, sounds familiar... But let's see if that time itself could be made into training. As the matter of fact, one of the tougher aspects of fighting to develop on your own, through solo training is timing, i.e. faster reaction. 

Well, the next time you are in front of the screen, try using it as the "feeder"! Prior to starting this session, pick at least two elements you will be working on - different types of footwork, different combos, maybe just two different individual techniques/maneuvers, or work on the same thing but switch sides...whatever needs to be addressed in terms of reaction time. Once that is set, things are simple - just do the switch every time there is a new shot in the video! For those unfamiliar with film work terms, every time the lens of the camera closes, it is the end of the shot. In other words, every single time you see a new view on the screen, that is it. If you are more of a comic-book type, see what is the parallel with a new picture/frame in the story. 

If you really want to go for intensity, music clips and various ads are excellent, because they are rather quickly paced. As an example, there is 40+ shot changes in the first one minute of this video:

Naturally, if you don't dig this kind of music (shame on you!), just pick your favorite type. Ads also lend themselves really nice for the same purpose. Say, the first one in the following compilation has 8 different shots in the 30 seconds that it lasts...and it is not the busiest one of them!

So, next time, turn the guilty pleasures into satisfying pleasures, or start looking at the commercials as the most useful portion of your time in front of the screen, instead of the most annoying.