True aim of AMOK!

 If you have been around this blog for any length of time, you have probably noticed that most reviews of educational materials have related to the books and instructional DVD/video formats. Today, however, I’d like to step into the 21^st century and point to an excellent online source of brilliant combative instruction.

For the readers who share my affinity for the functional skill and sound training methodology, over the flashy maneuvers and technique-collecting approach, the work of Tom Sotis ought to be among the go-to references. Simply put, he spent 30+ years of dedicated training with unwavering focus on providing to his trainees/clients the best and most reliable information and skill to be developed. That said, the more I learn about the man and his work, the more I am impressed with his sheer honesty about the process of training and utmost disregard for the whole noise of peripheral phenomena of martial arts, such as ranking, titles, power over organizations and people etc. As the matter of fact, that is probably exactly what enabled him to put so much effort and thought into the development of his excellent methods.

The results are formulated under the banner of AMOK! And available to the interested parties on Tom’s website Amok! Global. For what is possibly the most affordable fee anywhere, you get access to the main body of the knowledge that Sotis has distilled into two categories:

-          Core skills;

-          Methodology.

That way, not only do you learn what the people that he has taught in more than 30 countries over the course of more than 30 years have learned (what he teaches), but also how did they develop it into a working set of skills (how he teaches). In approaching training from these angles, an encompassing and thorough understanding is obtained with regards to the technical performance and tactical decision making, but also the proper focus on all the right components that will accelerate your progress on the functional path. Attacks, counters, grabs, disarms; training, practicing, sparring methods and configurations…it’s all there!

Although the core skills and methodology are conceived in a manner that integrates the instruction of all necessary elements of combative capability, for those who want to go into more detail and depth regarding some of those elements, there are specific focus courses available on the topics of Footwork, Handling, Faking, Striking, Countering and so on.

The common feature of all his instruction is the presentation in the bite-sized video clips, shown in appropriate order. Sotis uses whiteboard presentations where applicable, speaks clearly and informatively, without fluff and unnecessary ornamentation. Some of the clips are actually under two minutes of length, and I find it great for a couple of reasons. One, it forces the instructor to be as clear and efficient as possible in conveying his message; two, it makes it easier for the viewers to rewind and dial in the exact part they need to see/hear; three, it keeps tracking of the material you have covered much simpler; four, finding the exact topic you want is effortless.

It bears saying that in AMOK! they use knife as the central tool of instruction, for the reasons very well explained and argued for in the course, but the material is easily adapted to (m)any other tools you may use, or to the empty-handed application as well.

Ultimately, even if you have no interest of becoming and adept of AMOK! or even adopting the methodology into your training, it will still offer an excellent lens for filtering your own training approaches, thus helping you stay on the right path, as long as the desired destination is truth in combat. 

 

Decade of babbling!

 Whoa, it just appeared to me that a month ago it was the 10th anniversary of this blog! Man...who would have thought. Back then, even with the first actual post, my sole intention was to share some personal views and insights into this beautiful, funny, frustrating and consuming world of martial art training. Maybe I was hoping to somehow contribute to improving that very training process a tiny bit. Well, while there is no way to say if the later hopes have been achieved, I sure did keep on sharing those views, thoughts and rants. And got more in return than ever having dreamt of!

Just like it is the case with training itself, the main benefit of writing this blog turned out to be getting to know some really great people and learning infinitely more along the way than possible being able to teach in any way, shape or form. As the matter of fact some true greats found it worthwhile to get in touch and grace me with their time in conversation. Others provided me with the opportunity of actually learning under their guidance on a regular basis. What more could a guy, who happens to be a lifer in the martial arts, ask for?

However, as a complete coincidence, probably the biggest honor that aligned with this anniversary was the invitation to teach along with guro Roger Agbulos during one of his incredibly popular Zoom sessions. As a token of appreciation for all those readers who made running the blog worthy, here is my segment of that session, in all its (in)glorious detail:

The things that I would particularly like you to notice are the interpretation of what good technique actually means in combative arts (at the very beginning of the video), as well as a helpful way to improve one's solo practice and make it more effective. If you get more out of it - take it as bonus! 

In conclusion, it has been an awesome ride... Let's see if we can go for another round! 

Modern classic

 Let's straight it out from the very beginning - what makes a book a classic? Well, in short, it has to be an excellent presentation on the given subject, holding its value over time, serve as a go-to source of information, and ideally reveal new insights with every reading/consultation even years later. In addition to all that, the work presented today was published in the 21st century, hence the term "modern". And the author of the subject of this review is master Reynaldo Galang.

Rey Galang doing what he loves most

Master Rey is a fairly well known name in the world of Filipino martial arts (FMA for short) and held in high regard, both for his teaching ability and penmanship. On the one hand, he is a co-founder and a driving force behind one of the most prestigious organizations in this sphere - Bakbakan. On the other hand, he wrote and edited four phenomenal books on various aspects of FMA, as well as numerous articles over the past couple of decades. Having had the good fortune to attend some of master Rey's online classes, I can confidently say that his dedication to the arts and commitment to students is absolutely of the highest order. This is probably the exact foundation that the success of Bakbakan was built on. 

Bakbakan

Among the four books mentioned, I would like to point to the one titled Masters Of the Blade. Now, the books that seek to portray several, or many, representatives of any martial art (maybe even comprehensive overview of various styles within the art) are not exactly a new idea. In the realm of FMA itself there have been several, including one also written by master Galang (Warrior Arts Of the Philippines). However, there a few features that make the MOB book stand out.

the book

Firstly, instead of opting to cast a wide net of entire art (say, FMA) or geographical region (e.g. Philippines), the author chose to focus on a single aspect of the art, specifically the knife, and then bring in the views and thought from a large number of contributors. To be honest, all of the featured exponents in this tome had been more or less influenced by the FMA approach to handling the knife and dealing with it, but some of them (Tom Sotis of Amok!, Michael Janich, James Keating and Hock Hochheim come to mind) have moved to one degree or the other away from the typical Filipino treatment of the tool. 

Secondly, the contributors are not grouped according to their stylistic affiliations, but rather presented in the alphabetical order. Why is that important? To start with, nobody can accuse the author or favoring his own "tribe" and pushing their agenda to the detriment of another one. Also, it makes for a more interesting read, because the expressions of the topics vary from one chapter to the next, so you will keep focus better. Finally, the absence of style/system chapters eliminates the proclivity for skipping some chapters, and in turn made me discover new people and learn about their insights with a more open mind. 

Thirdly, all the contributing authors were obviously given the full freedom to state their position on the subject, even if it does not align with those of other exponents or the main author, which is a refreshing approach to doing this kind of work. That way, the book serves almost as a forum for the exchange of ideas and experiences for the mutual learning benefit of the reader, regardless of his or her previous experience. 

Lastly, the technical presentation makes for a mighty nice package. Excellent print quality on glossy pages makes the photos clear; good binding provides years of perusing pleasure without the fear your book falling apart; format is just right...and at 450+ pages this book is chock-full of great information and will offer many hours of reading pleasure. 

still going strong

Ok, but is it any practical in terms of learning  something from it?

Why, am I glad you asked! If you don't mind a personal anecdote (hey, it is MY blog after all!), pondering this very question lead me to my currently main instructor of FMA. 

Namely, when the book came out in 2005, the quality instruction in the Filipino arts was seriously scarce in my neck of woods, so I would take any opportunity (indiscriminately) to learn something from anybody who had access to real teachers. No wonder that some of those teaching would be contradictory to each other occasionally, system names were just labels to me, and it made me confused at more than one point. Upon going through the book a couple of times, there seemed to be chapters that, if taken in certain order, could constitute a solid training progression. And then, I shared my thoughts in this regard on one of the more active knife forums of the day. Here is what I wrote:

1. Start with the chapter provided by Roger Agbulos. It is dedicated to what I feel is the groundwork for any fighting endeavor, i.e. footwork and non-telegraphic movement. After you've done that on your own for a few days...
2. Find yourself a partner and get into drills nicely featured in Steve Grody's chapter. It will teach you how to stay in a long range, where your skills are most likely to give you the advantage over an untrained opponent (as they say - "proximity negates skill"), and you'll be pushed to use your footwork from the step 1 in a situational environment of sorts.
3. If you've been doing the above two steps for a few weeks, and started developing some timing and feel for keeping your distance, maybe entering and disengaging comfortably to some degree, you might be ready for basic medio and corto drills, so turn to Hospecio Balani's portion of the book. There you will also get a feel for working with a reverse grip. I'd like to add that you should not stop working on previous material, because we all need constant improvement and brushing up in those areas. The same principle applies in further steps too.
4. OK, once you have your live hand in sync with your weapon hand, you should move to more demanding tasks, such as those shown in the chapter by Dave Gould. This is where all your previous skills will be put to test, along with your mental perseverance, ability to cope with stress and failure in training and struggle with your ego.
5. At this point, which in my estimation is after few months of regular training, you should have your solid foundation in place, so you can start adding other material from the book, in accordance with your needs and interests - empty handed against blade concepts or stalemate solutions from Steve Tarani; solo training forms, techniques and drills and their applications from Rey Galang or Michael Janich; empty handed scenarios from W. Hock Hochheim and John Jacobo; multiple adversaries or VIP protection scenarios from Atienzas or Bakbakan; drills for overcoming knife defense attempts from San Miguel Eskrima and Krishna Godania; insightful and thought provoking writing from AMOK!, Ron Balicki or Jim Keating...and so on.

In essence, after you have your essential skills included in your functioning arsenal, you can go out and do research on your own, as the above is just a basic outline/framework, based only on a single book, although a great one.
Finally, The fact that I haven't mentioned some people who contributed to the book (Ray Dionaldo, Bram Frank, Felix Valencia...) is not to say that they have nothing valuable to offer. It is just that I tried to make this as simple and functional as possible. After all, refer to the section on "doing your own research"...That's why they call it a homework - you do it on your own!

As it turned out, the person who was mentioned first was also a member of the forum ad reached out to say thanks about the review. We really hit it off from there, and have become friends, to my great learning and training benefit for 15 years now. 

Also, I soon figured out that the next three instructors mentioned, just like the first one, were all practitioners of the Lameco Eskrima system of FMA, so that effectively made my decision on which path I would like to pursue in this regard. 

In conclusion, this book has stood the test of time, especially if you keep in mind that it was published in the pre-Youtube era. While several new name instructors and training approaches have emerged in the meantime, most of those featured in the Masters Of the Blade are still pretty active and further honing their material. 

If you get a chance to get this book - don't waste it! It will be a staple of your martial art library. That said, while eagerly awaiting for master Rey's next book, I'm off to check a couple of things in my copy...

Challenges in training... Courage!

 Yes, courage. And it can mean a lot of things, but today I have a specific one in mind. While it applies to everyone involved in training the martial arts or other combative methods, it is particularly pertinent to those actually teaching and coaching. In the former case, this primarily entails having the fortitude to always keep taking a sincere look at your driving force in training, and being strict in deciding if what you do in training is in line with it, or you are just enjoying the workout (better case), or maybe even enjoying the illusion (worse case).

For the instructors, school owners, system founders/heads etc, there is an even more important and deeper component to it. Namely, besides the sincerity in saying what your system or school are all about, so that the potential students are not misguided, one must be absolutely honest and ready to change the material in the face of new findings. Here is what I mean...

Let's say you are dedicated to training your clients for the functional combative skill, in the real time and against resisting opponents (either in a sports arena or street self-protection), and you have developed a well-rounded curriculum and fairly good training methodology to achieve this goal. Owing to that,  you attract a fair number of trainees, maybe even open a couple of branches in other places. And then...one way or another you discover a new set of methods or training protocols that you know for sure will improve the whole process. That, however, requires investing time and effort to rewriting your curriculum and training programs, educating assistant instructors (some of which may be unwilling), and finally saying to your clients "sorry, forget what you have been paying for so far, there is a better way". Hmmm... Do you actually go for it in spite of all those challenges, or do you hide behind the good old "if it ain't broken, don't fix it"?

By the way, it applies just as much to the schools/instructors whose mission is the preservation of intact tradition and the original teachings of whatever master/system. What happens if you stumble upon an older proponent of the same lineage, who proves to be legit and then says that a portion of what you have been doing for the last 20 years is wrong and ought to be done differently? Damn, you already have a dozen or more black belts under you, who have been teaching the same "mistakes" to their own students, not to mention your peers who had graduated under the same tutelage fraught by the same mistakes! Where do you go from there? Keep on doing the same thing, finding an excuse of the "it's a different lineage" sort, or do you go back and start correcting everything, thus possibly losing students and associates? 

There are some people I admire greatly in this regard, who had the courage and integrity to change their teaching and training despite any and all inconveniences it may have caused. Alex Kostic has already been a subject of a couple different articles in this blog. He had both the sincerity to acknowledge the shifting focus in this work and change the training methods to suit it, while openly announcing the changes to his students (and losing quite a few in the process), but also alienating himself from a wider community of his "home style" and withstanding their mud slinging. The late Mario Topolsek did the same in a traditional art of Uechi Ryu (like in the above example), and with similar consequences. And an excellent example of the functional paradigm is Tom Sotis, whose entire career in the realm of fighting arts has been a constant strife to outdo himself and update his achievements. 

Interestingly enough, during a chat we had, Sotis pointed to a very interesting "matrix" of options that people have in their training if driven by honesty, depending on their underlying motivation. Let's show it like this:

T            NC

R              MC

F            NC

In the above table T stands for traditionalist, R stands for recreationalist, while F is for functionalist. Note that under the two opposing poles there is the same indicator NC, while for the middle way it is MC. It denotes that both the traditional and functional proponents have no choice in how they will train - they always have to be congruent to the latest discoveries of what constitutes the truth in their chosen endeavor. The recreational practitioner (some may call them enthusiasts; I agree with such term in the early stages of one's training, when they are still trying to figure out what is their guiding principle), on the other had, has many choices because his or her participation in the given activity is predicated on the goal of enjoying the activity on its own, regardless of its authenticity. 

In this regard, I'd say courage is a coin which on one side is made of asking difficult questions, and on the other side of embracing honest answers. Simple...but not always easy. 

Reading Tactics

 In one's quest for learning more about the endless aspects of combative behavior, it is probably safe to say that in the absence of personal contact and instruction, video format is the next best thing...if done properly, of course. However, over the past 30+ years my preference for the books has remained unwavering. Why?, you may ask. Well, while video certainly does better in depicting the technicalities of HOW and WHAT IF in various fighting scenarios, the good old books (and the new electronic ones, actually) are simply superior i discussing the deeper, and more universal, levels of human violence and all its domains. This is why my reviews of the martial art related literature has been focusing on such works, and this time we have another one that easily qualifies for my Top 10 list.

If you have had any interest for knife-related material within the scope of personal protection, the name of Tom Sotis should probably at least ring a bell. Namely, he is one of the pioneers in the field of developing and teaching "knifing" as the platform for the more general fighting skill. As the founder of AMOK! he has thought hundreds of seminars around the world and tested his material where very few others dared trying. Fortunately, besides seminars and training camps, his hands-on training methods are accessible for the general public through the AMOK! website, while its underlying philosophical foundations and experiences that had lead to its establishing are brilliantly presented in the book The Way of Tactics: a Manifesto of Invincibility.

The book is divided into three parts, each covering one of the intertwined building blocks of Sotis' methodology.

The first part is comprised of a couple dozen biographical episodes, which serve, as it seems to me, a two-fold purpose: providing the reader with contextual background from which the author's teachings have grown; and highlighting specific life lessons gained from those events, since they make the fabric of his higher, meta level material. Now, the fragments of author's life may not be as extreme as with some others, but he certainly did thread a path that not may people do, and it is obvious that his authority as a teacher/instructor/coach is as authentic as it gets, and you can take his word or trust his judgment on the subjects in the book. 

The second part is what I found to be the most valuable portion, and which I keep re-reading often. Here, Sotis gives an extremely thorough and methodical presentation of the material indicated by the title on the cover. Many authors have offered their take on the importance of strategy and tactics in combat training (frequently using the two terms interchangeably), but none comes even close to this book. Unlike them, Sotis has a highly analytical approach to step-by-step exposition of the ideas he wants to convey, and manages to do it in a superbly clear and logical way. From the trainee's inner values as the ground for strategies, through tactics used for the accomplishment of what he calls (and describes in a precise fashion) the best possible outcome, the author takes the readers on the tour of dealing with possible conflicts in their pre-engagement, engagement and post-engagement phases. Along the way he provides excellent insights into the tools for assessment, protocols, preparation, managing fear, and a whole host of other precious lessons regarding mental and physical pillars in one's training. 

Although the third part of the book is titled Application, it has nothing to do with photos showing physical movements, techniques etc. Instead, this is where we see how the material from the first two parts is processed and used in planning, organizing and running a training process in the functional manner. This also where Sotis gives his views on the common pitfalls of most martial training organizations and how he manages to avoid them within his own. It is important not only from the standpoint of practicality, but also from the perspective of supporting the arguments for the structures explained earlier and purported as the backbone of effective training. 

I have to say, having followed Sotis' work to the best of my ability since his earliest appearance on the Internet in the late 1990s, my expectations of the book were VERY high, and yet, he has overcome them by a large margin. The bottom line is, if you are involved in fight training for any reason other than the ethnological study reasons or the quick money making, you cannot afford to skip this book. Yes, it is so important that if you only buy one instructional item over the next five years - make it this one!