Kaleidoscopic view

 A week ago I had a great pleasure of being interviewed by guro Tom Edison Pena of the FMA Discussion crew. During the chat, besides an overview of my background and journey in the martial arts, we touched upon several training related subjects. It mostly presents my views about the role of the instructor(s) in conducting the training for the adequate results and with proper approach. 

Some of you may be already familiar with some of the things stated here, but if you would prefer to watch and listen to me go on about various topics, check it out.

Here is a rough outline of the contents:

03.55 - Early beginnings and first steps in MA

14:00 - Physical attributes in technical development

22:05 - Starting RMA and learning perspectives

24:15 - Introduction proper to FMA

29:55 - Encounter with Lameco eskrima and doing long-distance learning

40:20 - Appreciating unpaid instruction

41:10 - Teaching as a learning tool

42:48 - Validity of training approaches

45:03 - Contextual functionalist

47:05 - Stint in MMA; on competition in general

53:30 - Role of luck

56:20 - Alex Zhelezniak and ACT system

57:40 - Teaching/Coaching methodologies

59:40 - Curriculum shortcomings

1:02:50 - Instructors vs Coaches

1:07:00 - Meeting Luis Preto and learning Jogo do Pau

1:11:15 - Tactics as a decision making process

1:12:15 - Mindset foundation for training

1:13:45 - Benefiting from Internet communication

1:18:00 - Importance of cultural and historical background

1:19:30 - Role of "flow" drills

1:23:45 - Forms pros and cons

1:30:50 - Differences between good athletes and coaches

1:33:05 - Sending students elsewhere for their sake or group sake

1:40:54 - Private vs group class

1:41:55 - Some recommended online FMA programs

1:47:54 - Importance of fundamentals and creative application

1:49:57 - Main requirements for teachers/instructors

1:51:35 - Need for education

1:55:40 - Craft before art

1:59:00 - FMA as a community?

Having done the interview, I believe there will be more articles on certain subjects mentioned, because as great as my host was, the boundaries of the format and flow of the conversation didn't necessarily get the fully fair insights into some of those. 

Bisaya eskrima DVD

I first met Bruno Cancho back in 2008, while on my honeymoon to Barcelona. Previously I had asked one of my arnis/eskrima instructors Dan Lamac about anyone to see for some lessons in that part of Spain, and owing to Dan’s recommendation and contacts Bruno agreed to see me. He happened to be a great guy and an excellent proponent of medio-corto approach, due to his training in Koredas Obra Mano and Balintawak systems of FMA.

Bruno Cancho...

Far forward another decade, and Bruno has spent so much time in the Philippines in the meantime that one has to wonder now if that has not become his actual homeland. His extensive study of Visayan styles of arnis and eskrima turned him into a top notch instructor in his chosen field, i.e. medio and corto ranges of combat. It was, therefore, with great joy that I saw the publishing of his instructional DVD about his school, titled “Bisaya Eskrima, vol.1”.

According to Bruno himself, his system is comprised of 20% long range material (largo distance), so naturally he chose to focus the first video on closer range, as he refers to it corto serrada, utilizing single stick. Even more importantly, this material, to my knowledge, is the first commercially available instructional video on the not widely known school of Arnes Diablo which stresses empty-handed defense against knife attacks.

...and his new work

Regarding the stick, the material covers the basic angles of attack and corresponding blocks and counters, 5 ways of attacking/hitting (nothing to do with the JKD methodology of the same name) and accordingly the five types of counters. Everything is shown as solo and partner practice, plus the very important training method of palakaw.

When it comes to the knife material, shown are the 6 basic angles of attack and their defensive responses, with emphasis on disarming the opponent. Especially interesting is the drilling of follow-up actions after potentially failed primary responses, intertwined with retention options for the knife wielding person.

The quality of the instruction, however, is not the only valuable thing here. Namely, the video is beautifully edited to show the life in the Cebu region of the Philippines, and it gives the viewing experience a special flavor. To top it off, the author features two guest local masters, Rodrigo Maranga of Combate Eskrima Maranga and Danny Vedua of Askal Hybrid Arnis (both offshoots of Balintawak), who demonstrate certain aspects of their respective arts. Complementing these aspects is the fact that the entire footage is recorded outdoors – stick portion either in the parks and woods of the Philippines; knife segment in the back alleys of Cebu, thus giving it additional air of authenticity. NOTE: with the exception of guest instructors, who speak English in the video, the instruction is done in Spanish. Still it did not diminish the viewing and learning experience, because everything is done in such a clear and precise manner (I do not speak Spanish, but maybe my speaking French was of some help in understanding everything).

Going back to my comments of Bruno Cancho’s being a great guy and adopting the Philippines as his second home, the entire profits from the promotional sales of the digital videos were directed to the Doors of Hope organization that deals with prevention and stopping of the sexual abuse of children and women in the Philippines. As if the actual quality of the product were not enough to make you happy about purchasing it, he really did the extra step to make you feel even better about it. You can order the video and see the trailer here:

https://www.bisayaeskrima.com/dvd

In conclusion, this is one of the best FMA instructional videos I have seen produced in the past few years, and I look forward to the second volume.